Sometimes I love the latest movie, and other times, I’m not that impressed. Today, DreamWorks is still hit and miss for me. Yes, they could do weird and quirky movies, but they could also do beautiful and thought-provoking ones too. After that, movies like Kung Fu Panda and Megamind changed my opinion of the company. It showed me what DreamWorks was really capable of, an incredible, beautiful, stunning movie. I’ll be honest, I was pretty indifferent to DreamWorks up until How to Train Your Dragon was released. Many have been fantastic, showing off a fun and different animation style. The company has created quite a few companies. Starting from fairly humble beginnings, DreamWorks has become a big animation company, often giving Disney a run for their money. And for a while, it seemed that things would stay that way. Yes, there were smaller independent films and companies, but nothing really compared to the Mouse. The studio's animated film arm is also offering an eight-week intern program specifically in 2D animation this summer.For a long time, it seemed like Disney was the only company that could produce good animation. That film was produced by animators working with computers who were drawing rather than modelling images. One US blogger covering the news of hand-drawn animation's demise has pointed to rumours that Disney is planning a feature using similar techniques to the Oscar-winning short film Paperman. It may not all be hard lines for the style that made the studio famous, however. Meanwhile, Disney CGI efforts such as 2009's Bolt and 2010's Tangled grossed $310m and $590m respectively. Another hand-drawn animation – 2011's Winnie the Pooh – drew praise from critics but pulled in just $33m across the globe. The traditional musical, based on the Brothers Grimm story the Frog Prince but relocating the action to 1920s New Orleans, was well-reviewed but failed to mirror the astounding success of Pixar at the box office with a middling return of $267m (£178m). The studio subsequently put the hand-drawn animation The Princess and the Frog into production. The day I stepped in we got in touch with these guys and set about bringing back the artists that Disney had laid off." "The general consensus was that audiences did not want to watch hand-drawn animated films, which is of course completely ridiculous. "Unfortunately 2D became the excuse for poor storytelling," said Lasseter, who pioneered the CGI animation revolution with Toy Story in 1995. Lasseter told a London audience for a 2009 screening of Bolt (a CGI animation) that he had re-hired many of the animators who were ditched by the previous regime because of the emergence of computer-generated technology in the 1990s. The news will upset fans of traditional hand-drawn animation, who had been cheered by the revival of the form under John Lasseter, the Pixar boss who also became Disney Animation's chief creative officer in 2006. We're not necessarily ruling out the possibility a feature but there isn't any in development at the company at the moment." "There is a fair amount of activity going on in hand-drawn animation but it's largely for television at this point. "To my knowledge we're not developing a 2D or hand-drawn feature animated film right now," said Iger. While Iger did not rule out returning in the future to the style which made the company famous, the long gestation period for Hollywood animated productions means a gap of several years before any new film might emerge. Speaking at an annual shareholder's meeting in Phoenix, Arizona, on Wednesday, chief executive Bob Iger revealed that none of the studio's animation companies was working on 2D, hand-drawn material for the big screen. Disney, the Hollywood titan which brought the world classics such as Fantasia, Bambi and Snow White and the Seven Dwarfs, has admitted it has no current plans to make hand drawn animated films.
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